{"id":693041,"date":"2026-05-18T02:36:03","date_gmt":"2026-05-18T02:36:03","guid":{"rendered":"https:\/\/microscopemedia.com\/?p=693041"},"modified":"2026-05-18T02:36:03","modified_gmt":"2026-05-18T02:36:03","slug":"cannes-la-8-ani-dupa-metoo-cate-blanchett-numara-10-femei-la-75-de-barbati-in-fiecare-dimineata","status":"publish","type":"post","link":"https:\/\/microscopemedia.com\/?p=693041","title":{"rendered":"Cannes \/ La 8 ani dup\u0103 #MeToo, Cate Blanchett num\u0103r\u0103 \u201e10 femei la 75 de b\u0103rba\u021bi \u00een fiecare diminea\u021b\u0103\u201d"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/microscopemedia.com\/wp-content\/uploads\/2026\/05\/cannes-la-8-ani-dupa-metoo-cate-blanchett-numara-10-femei-la-75-de-barbati-in-fiecare-dimineata.jpg\" class=\"ff-og-image-inserted\"><\/div>\n<p id=\"p-0\">La un deceniu dup\u0103 ce mi\u0219carea #MeToo a zguduit industria cinematografic\u0103, actrita australian\u0103 Cate Blanchett spune c\u0103 progresul a fost superficial \u0219i de scurt\u0103 durat\u0103, relateaz\u0103 luni diminea\u021b\u0103 <a href=\"https:\/\/www.theguardian.com\/film\/2026\/may\/18\/cate-blanchett-cannes-film-festival-panel-film-metoo-gender-equality-hollywood\">presa de specialitate<\/a>.<\/p>\n<p id=\"p-1\">\u201eA fost ucis foarte repede, ceea ce cred c\u0103 este interesant\u201d, a declarat ea duminic\u0103, \u00eentr-o conversa\u021bie ampl\u0103 desf\u0103\u0219urat\u0103 la Festivalul de Film de la Cannes.<\/p>\n<p id=\"p-2\">Blanchett a vorbit deschis despre persisten\u021ba inegalit\u0103\u021bii de gen pe platourile de filmare, invoc\u00e2nd propria experien\u021b\u0103 curent\u0103: \u201e\u00cenc\u0103 lucrez pe platouri \u0219i fac num\u0103r\u0103toarea personalului \u00een fiecare zi. Sunt 10 femei \u0219i 75 de b\u0103rba\u021bi \u00een fiecare diminea\u021b\u0103.\u201d<\/p>\n<p id=\"p-3\">Actrita a recunoscut c\u0103 \u00eei place s\u0103 lucreze cu b\u0103rba\u021bi, dar a subliniat c\u0103 omogenitatea are un cost artistic real. \u201eGlumele devin la fel. Devine plictisitor pentru toat\u0103 lumea c\u00e2nd intri \u00eentr-un loc de munc\u0103 omogen. Cred c\u0103 are un efect asupra muncii.\u201d<\/p>\n<h2 id=\"chapter-0\"><strong>Opt ani mai t\u00e2rziu. Ce s-a ales de protest?<\/strong><\/h2>\n<p id=\"p-4\">Declara\u021biile vin la opt ani distan\u021b\u0103 de la unul dintre cele mai vizibile gesturi de solidaritate feminin\u0103 din istoria festivalului.<\/p>\n<p id=\"p-5\">\u00cen 2018, c\u00e2nd era pre\u0219edinta juriului la Cannes, Blanchett a urcat pe treptele Palais des Festivals al\u0103turi de alte 81 de femei \u2013 num\u0103r care reprezenta exact c\u00e2te regizoare fuseser\u0103 selectate \u00een competi\u021bia oficial\u0103 fa\u021b\u0103 de 1.866 de regizori b\u0103rba\u021bi \u00een aceea\u0219i perioad\u0103.<\/p>\n<p id=\"p-6\">Ironic, chiar \u00een acel an, festivalul fusese criticat pentru c\u0103 includea doar trei filme regizate de femei \u00een selec\u021bia oficial\u0103 de 21 de titluri.<\/p>\n<p id=\"p-7\">Blanchett ap\u0103rase atunci festivalul, afirm\u00e2nd c\u0103 schimbarea \u201enu se va \u00eent\u00e2mpla peste noapte\u201d.<\/p>\n<p id=\"p-8\">Opt ani mai t\u00e2rziu, tonul ei este vizibil mai sumbru.<\/p>\n<h2 id=\"chapter-1\">Blanchett nu a fost singura voce la Cannes pe aceast\u0103 tem\u0103 \u00een weekend<\/h2>\n<p id=\"p-9\">Actrita Julianne Moore a vorbit s\u00e2mb\u0103t\u0103, la o conferin\u021b\u0103 Kering Women in Motion, despre aceea\u0219i realitate \u2013 dar cu o nuan\u021b\u0103 u\u0219or diferit\u0103.<\/p>\n<p id=\"p-10\">Moore a declarat c\u0103 lucrurile s-au \u00eembun\u0103t\u0103\u021bit fa\u021b\u0103 de acum un deceniu, amintind c\u0103 \u00een jurul anului 2016 era una dintre doar dou\u0103 femei de pe un platou de filmare.<\/p>\n<p id=\"p-11\">\u201e\u00cemi amintesc c\u0103 am fost pe un platou unde singurele femei eram eu \u0219i a treia asistent\u0103 de camer\u0103. Era momentul \u00een care Hillary Clinton a pierdut alegerile \u0219i am\u00e2ndou\u0103 eram devastate\u201d, a spus Moore.<\/p>\n<p id=\"p-12\">\u201eCu siguran\u021b\u0103 am v\u0103zut o reprezentare mai mare a genului \u00een echipe fa\u021b\u0103 de atunci.\u201d<\/p>\n<p id=\"p-13\">Cele dou\u0103 perspective nu se exclud reciproc \u2013 \u0219i \u00eempreun\u0103 contureaz\u0103 o imagine a unei industrii care s-a mi\u0219cat, dar nu suficient \u0219i nu uniform.<\/p>\n<h2 id=\"chapter-2\"><strong>Activism, cinematografie \u0219i, de fapt, nimic<\/strong><\/h2>\n<p id=\"p-14\">Dincolo de declara\u021biile despre egalitatea de gen, Blanchett a anun\u021bat la Cannes c\u0103 va juca \u00een urm\u0103torul film al regizorului Brady Corbet \u2013 realizatorul lungmetrajului premiat \u201eThe Brutalist\u201d -, un proiect a c\u0103rui ac\u021biune se petrece \u00een anii 1970, al\u0103turi de Selena Gomez \u0219i Michael Fassbender.<\/p>\n<p id=\"p-15\">O alegere care, \u00een contextul discu\u021biei despre reprezentare, nu e lipsit\u0103 de ironie: Blanchett, una dintre cele mai vocale sus\u021bin\u0103toare ale femeilor din industrie, va juca din nou sub bagheta unui regizor b\u0103rbat, \u00eentr-un film dominat de nume masculine. Industria, pare s\u0103 spun\u0103 ea \u00eens\u0103\u0219i, e complicat\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La un deceniu dup\u0103 ce mi\u0219carea #MeToo a zguduit industria cinematografic\u0103, actrita australian\u0103 Cate Blanchett spune c\u0103 progresul a fost superficial \u0219i de scurt\u0103 durat\u0103, relateaz\u0103 luni diminea\u021b\u0103 presa de &hellip; <a href=\"https:\/\/microscopemedia.com\/?p=693041\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":693042,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/posts\/693041"}],"collection":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=693041"}],"version-history":[{"count":0,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/posts\/693041\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/media\/693042"}],"wp:attachment":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=693041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=693041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=693041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}