{"id":710381,"date":"2026-08-28T05:17:02","date_gmt":"2026-08-28T05:17:02","guid":{"rendered":"https:\/\/microscopemedia.com\/?p=710381"},"modified":"2026-08-28T05:17:02","modified_gmt":"2026-08-28T05:17:02","slug":"homer-reinterpretat-in-ucraina-militari-activi-joaca-intr-o-odisee-despre-razboi-captivitate-si-intoarcerea-acasa","status":"publish","type":"post","link":"https:\/\/microscopemedia.com\/?p=710381","title":{"rendered":"Homer, reinterpretat \u00een Ucraina: militari activi joac\u0103 \u00eentr-o \u201eOdisee\u201d despre r\u0103zboi, captivitate \u0219i \u00eentoarcerea acas\u0103"},"content":{"rendered":"<div class=\"sgb-google-buttons\">\n<div class=\"display-flex justify-center google-logo\"><img decoding=\"async\" loading=\"lazy\" class=\"mg-x-auto\" width=\"30\" height=\"30\" src=\"https:\/\/microscopemedia.com\/wp-content\/uploads\/2026\/08\/homer-reinterpretat-in-ucraina-militari-activi-joaca-intr-o-odisee-despre-razboi-captivitate-si-intoarcerea-acasa.png\" alt><\/div>\n<\/p><\/div>\n<p class=\"isSelectedEnd\" id=\"p-0\">\u00cen noua versiune, mon\u0219trii mitologici las\u0103 locul dronelor \u0219i ma\u0219inilor de r\u0103zboi, potrivit publica\u021biei <a href=\"https:\/\/www.independent.co.uk\/news\/homer-war-ukraine-kyiv-christopher-nolan-b3040765.html\" target=\"_blank\" rel=\"noopener\">The Independent<\/a>.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-1\">Spectacolul \u201eOdysseus, Maeotis\u201d este pus \u00een scen\u0103 la Teatrul Na\u021bional Academic Dramatic Ivan Franko din capitala Ucrainei, iar distribu\u021bia reune\u0219te actori profesioni\u0219ti \u0219i militari afla\u021bi \u00een serviciul activ.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-2\">Printre ace\u0219tia se num\u0103r\u0103 Daniil Mireshkin, militar care interpreteaz\u0103 rolul lui Ulise. El consider\u0103 c\u0103 apropierea dintre mit \u0219i realitatea contemporan\u0103 permite publicului s\u0103 priveasc\u0103 dintr-o alt\u0103 perspectiv\u0103 problema \u00eentoarcerii: revenirea militarilor la via\u021ba civil\u0103, recuperarea teritoriilor \u0219i reg\u0103sirea identit\u0103\u021bii ucrainene.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-3\">Premiera spectacolului a fost am\u00e2nat\u0103 \u00een repetate r\u00e2nduri din cauza atacurilor ruse\u0219ti.<\/p>\n<h2 id=\"chapter-0\">Dronele au luat locul mon\u0219trilor din epopeea lui Homer<\/h2>\n<p class=\"isSelectedEnd\" id=\"p-4\">Montarea este construit\u0103 \u00eentr-un registru auster. Pe o scen\u0103 \u00eentunecat\u0103, traversat\u0103 de bare de lumin\u0103, sunt proiectate imagini direct peste actori.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-5\">Ciclopul \u0219i sirenele \u00eent\u00e2lnite de Ulise \u00een epopeea antic\u0103 sunt \u00eenlocuite de drone care survoleaz\u0103 scena \u0219i de reprezent\u0103ri ale unor ma\u0219ini de r\u0103zboi robotizate.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-6\">Povestea urm\u0103re\u0219te \u00een paralel dou\u0103 experien\u021be: c\u0103l\u0103toria dificil\u0103 a lui Ulise spre cas\u0103 \u0219i a\u0219teptarea Penelopei.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-7\">Regizorul Ivan Uryvskyi spune c\u0103 foarte pu\u021bin din textul original al lui Homer a fost p\u0103strat. Noua pies\u0103 a fost scris\u0103 practic de la zero, fiind preluat\u0103 \u00een primul r\u00e2nd ideea central\u0103 a epopeii: \u00eentoarcerea lui Ulise acas\u0103.<\/p>\n<h2 id=\"chapter-1\">Leg\u0103tura cu Mariupol \u0219i militarii captura\u021bi de Rusia<\/h2>\n<p class=\"isSelectedEnd\" id=\"p-8\">Titlul spectacolului con\u021bine la r\u00e2ndul s\u0103u o referin\u021b\u0103 la lumea antic\u0103. \u201eMaeotis\u201d este o denumire veche a M\u0103rii Azov, regiune care \u00een Antichitate era asociat\u0103 cu marginea lumii cunoscute.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-9\">Aceast\u0103 alegere cap\u0103t\u0103 \u00eens\u0103 o semnifica\u021bie contemporan\u0103. La Marea Azov se afl\u0103 Mariupol, ora\u0219-port cucerit de Rusia dup\u0103 asediul din 2022.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-10\">Piesa are la baz\u0103 relat\u0103ri ale ap\u0103r\u0103torilor ora\u0219ului din Brigada Azov, integrat\u0103 \u00een prezent \u00een Corpul 1 Azov al G\u0103rzii Na\u021bionale a Ucrainei. At\u00e2t Daniil Mireshkin, interpretul lui Ulise, c\u00e2t \u0219i dramaturgul Oleksii Dorychevskyi sunt membri ai acestei structuri.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-11\">Dorychevskyi a folosit pentru realizarea spectacolului interviuri desf\u0103\u0219urate timp de un an cu fo\u0219ti prizonieri de r\u0103zboi. Potrivit Corpului Azov, aproximativ 600 de militari ai brig\u0103zii se num\u0103r\u0103 printre miile de ucraineni care se afl\u0103 \u00eenc\u0103 \u00een captivitate \u00een Rusia.<\/p>\n<h2 id=\"chapter-2\">Penelopa, simbolul celor care a\u0219teapt\u0103<\/h2>\n<p class=\"isSelectedEnd\" id=\"p-12\">\u0218i personajul Penelopei prime\u0219te o semnifica\u021bie legat\u0103 direct de societatea ucrainean\u0103.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-13\">Actri\u021ba Daryna Leheida spune c\u0103 rolul s\u0103u trimite la experien\u021ba femeilor care \u00ee\u0219i a\u0219teapt\u0103 so\u021bii, partenerii sau rudele plecate la r\u0103zboi ori aflate \u00een captivitate.<\/p>\n<p class=\"isSelectedEnd\" id=\"p-14\">\u00cen aceast\u0103 reinterpretare, a\u0219teptarea Penelopei devine \u0219i o metafor\u0103 pentru teritoriile ocupate temporar, dar \u0219i pentru familiile \u0219i copiii afecta\u021bi de anii de r\u0103zboi.<\/p>\n<p id=\"p-15\">\u201eOdysseus, Maeotis\u201d transform\u0103 astfel c\u0103l\u0103toria eroului lui Homer \u00eentr-o poveste contemporan\u0103 despre solda\u021bi, prizonieri, teritorii pierdute \u0219i oameni care continu\u0103 s\u0103 a\u0219tepte \u00eentoarcerea acas\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen noua versiune, mon\u0219trii mitologici las\u0103 locul dronelor \u0219i ma\u0219inilor de r\u0103zboi, potrivit publica\u021biei The Independent. Spectacolul \u201eOdysseus, Maeotis\u201d este pus \u00een scen\u0103 la Teatrul Na\u021bional Academic Dramatic Ivan Franko &hellip; <a href=\"https:\/\/microscopemedia.com\/?p=710381\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":710382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"Default","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/posts\/710381"}],"collection":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=710381"}],"version-history":[{"count":0,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/posts\/710381\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=\/wp\/v2\/media\/710382"}],"wp:attachment":[{"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=710381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=710381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/microscopemedia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=710381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}